Although renowned
for many other reasons, one of Shakespeare’s greatest talents was being able to
accurately display human experience and emotion through his plays. In his
comedies, love is most often the experience in question. Generally, young characters in love are
very poor at expressing their emotions, thus causing much confusion for
themselves and others. Throughout the course of the play, miscommunications are
resolved, allowing the lovers to find their appropriate matches. The plays
usually end in a relatively abrupt marriage or marriages and one forgotten
loner, who gives the otherwise playful plot a twist of the tragic. Twelfth
Night, though one of Shakespeare’s most
complex comedies, is no exception to this general outline.
As is traditional
in Shakespearian comedies, and in life, physical attractiveness is the first
element of falling in love, but without proper eloquence of emotion, the
relationship cannot move on. Although Olivia may very well find Orsino
physically appealing, as we are told by Viola that he is an attractive man, she
does not love him because she believes that his words are rehearsed. The are
written to please and flatter rather than to honestly convey deep feelings of
love. This is the primary reason that Olivia finds Viola, disguised as Cesario,
to be far more intriguing than Orsino. Viola, as a woman, recognizes what
Olivia is looking for a man to say to her. Along with Viola’s beautiful command
of the language, Olivia values her honesty, which is ironic in that she is
lying about her entire identity.
Although Cesario
is actually a woman in disguise, Olivia falls in love because she is able to
make a human connection with Viola. Instead of simply replaying clichés of the
unrequited lover, Viola effectively communicates with Olivia in a way that she
is not accustomed to. Although Olivia has no idea who Cesario actually is, her
love is genuine because it is based upon true communication and not flattery.
This love,
however, is exactly why this play has been banned in schools and libraries.
Though Olivia does not know it, but Viola and the audience know that Olivia is
falling in love with a woman far more readily than she did with Orsino.
Frankly, I had to look up why this play had been banned at all. Although she
believes Viola to be a man, the natural attraction that Olivia feels towards
her could be seen as obscene to those intolerant of homosexuality. There are
certainly homosexual undertones to the interactions between Viola and Olivia,
but I believe that the feelings that Olivia has for Viola do more to value of
female friendship than to “promote” homosexuality. This is mostly because both
Viola and Olivia explicitly say that they are attracted to men. If nothing
else, Olivia is lonely and Viola, in more ways than one, appeals to Olivia as a
suitable companion.
For most people it
is not difficult to find friends, but finding very close friends is can be far
more trying. This is why I find Shakespeare’s depiction of Olivia and Viola’s
first interaction to be so relatable. Although Viola is made slightly
uncomfortable by Olivia’s misplaced advances, it is clear that these two people
click. In my experience, this level of comfort is most often found in a close
female friend. Between close female friends, conversation flows easily and
honesty, without fear of judgment or rejection. Therefore, some of my most
meaningful conversations have been in the company of female friends as opposed
to a male friend or boyfriend. In trying to woo (though halfheartedly) Olivia for
Orsino, Viola speaks as she wishes Orsino would speak to her. The female
insight she has allows her to gain Olivia’s affection and trust within the
first few minutes of even knowing each other. Although I love the idea of this
reading and the praise of the value of female friends, the importance of this
scene is somewhat downplayed in the end of the play when Olivia’s love interest
immediately shifts to Sebastian because he bears some physical resemblance to
Viola. As in college life, the dedicated roommates are so easily left for the
new and exciting boyfriend.
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