A common thread between Harriet and
Irving Deer’s “Satire as Rhetorical Play” and Mary Rose O’Reilley’s “The
Peaceable Classroom” is the idea of control; on the literary level and on the
grassroots level. The former criticism states, “The major action of
[Slaughterhouse Five] concerns Billy’s inability to control his own often
contradictory fantasies. He drifts among making trips to Tralfamidore, being
president of the Local Lion’s Club, being a prisoner of war, and trying to
convert earthlings to a Tralfamidorian view of experience” (718). The word “drifts”
connotes nonchalance and therefore, I would change that word to “flashes back
and forth”. Doing so portrays the abrupt changes of time period. Deer and Deer
continues to state that “Each of these fantasies is a role for Billy, a game he
plays to avoid one of his other roles” (718). Another way to read this is that
Billy is Kurt Vonnegut’s video game avatar. The Tralfamidorian view of
experience is much like this video game character which suggests that one does
not completely die from the face of the game world. Chances are, you just
restart or begin from a point where you are still alive. Instead of an Xbox
console, he has the book as the tangible medium. In video games, you can pause,
save, quit, reboot, and start up a new level. The avatar has no control over what
happens; the player does. In this case, is the author the player? Are readers
just watching Vonnegut play?
Control and order are natural inclinations.
Without order, discomfort tends to ensue. O’Reilley states, “Recognizing that
individuals may feel little control over the sources of power which determine
our destiny and survival as a species, [John] Woolman urges us to begin by
making peace within our small spheres of influence” (104). This idea relates to
war and how the soldiers and citizens seem like merely pawns while players who
make the moves are elitist leaders. The problem in this case is the
distribution of power. Drawing from a book called Peace is Every Step by Thich Naht Hanh, in a chapter called “Healing
the Wounds of War,” he states, “Every side is ‘our side’.” The two sides in opposition are actually humanity vs. uncertainty/imperfection.
To expand on peacemaking in “our small spheres of influence,” O’Reilley states,
“Every year that I teach English I am forced to explore my need to control, my
own frustrations, self-doubts, and buried anger. Every year I learn anew to
trust the group, the texts, and myself” (108). To me, this means that there are
innumerable opportunities to emphasize mindfulness in the grassroots level,
despite whatever military or political decisions are made in the political elite
level. Harnessing the opportunities for peaceful moments and practicing empathy
are essential to waging peace in a world that seems to be preoccupied with
bellicose solutions.
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